Digital Road
- 50th Anniversary
- Ahsoka
- American Graffiti
- Animation
- Campuses
- Careers
- Community
- Culture
- D23
- Defining Moments
- Digital Road
- Disney+
- Education
- Employee Spotlight
- Fan Spotlight
- Games
- Hasbro
- History in Objects
- ILM
- ILM Immersive
- ILMxLAB
- Immersive Entertainment
- Indiana Jones
- Indiana Jones and the Dial of Destiny
- Indiana Jones and the Fate of Atlantis
- Indiana Jones and the Great Circle
- Leadership
- LEGO
- Life Day
- London
- Lucasfilm
- Lucasfilm Games
- Lucasfilm Games Rewind
- Monkey Island
- Movies
- Music By John Williams
- New
- News
- On Location
- Originals
- Productions
- Radioland Murders
- Red Tails
- Ron Howard
- San Francisco
- Series
- Singapore
- Skywalker Ranch
- Skywalker Sound
- Sound
- Star Wars
- Star Wars Celebration
- Sydney
- The Acolyte
- The Creator
- The Santa Clauses
- The Secret of Monkey Island
- Toys Books & Stuff
- Tucker
- Tuskegee Airmen
- Vancouver
- Visual Effects
- Willow
-
The Digital Road to The Phantom Menace: Character Animation in Dragonheart
ILM’s new software ‘Caricature’ helped unlock one of the most important keys to the digital renaissance in visual effects.
-
The Digital Road to The Phantom Menace: The “Rebel Mac” Unit
Visual effects supervisor John Knoll formed a group of generalist artists to craft shots entirely on their own.
-
The Digital Road to The Phantom Menace: ILM Artist Jean Bolte Talks Viewpaint
An innovative paint tool first created for Jurassic Park lent new detail and richness to ILM’s animated characters.
-
The Digital Road to The Phantom Menace: Texture-Mapping Worlds from Neverland to Tatooine
An early digital tool largely fell out of use before its revival to help create the exciting podrace.